Urvashi Rautela made a stunning and unexpected return to Cannes on May 12, dazzling in a glamorous silver gown and a unique bird-inspired headpiece for her fifth consecutive appearance at the famed film fest.
Long lost brothers, downtrodden masses, a long forgotten prophecy, and a psychotic drug cartel out for blood, Kingdom plays out with the familiar ethos of umpteen films we have seen. But the execution is slick, notes Arjun Menon.
Ghaati does not understand how to harness Anushka Shetty's electrifying screen presence, complains Arjun Menon.
Sabar Bonda is a tender, and exquisitely crafted slice-of-life drama that taps into universal human desire of making a meaningful connection with another human being, observes Mayur Sanap.
Author Harinder Singh Sikka has publicly criticised filmmaker Meghna Gulzar, stating that her adaptation of his espionage novel 'Calling Sehmat' into the film 'Raazi' diminished the true spirit of his protagonist due to 'ideological bias'.
Alia Bhatt made waves at Cannes 2026, not just for her stunning outfits but also for her classy response to trolls.
It's safe to say that Marvel is back, raves Varun Khanvilkar.
The lead pair looks good on screen. But each time they look lovingly into each other's eyes, the viewer's eye wanders over to the gorgeous landscape, observes Deepa Gahlot.
As Riteish Deshmukh turns director again with Raja Shivaji, we look at past actors who stepped behind the camera and delivered some of Hindi cinema's most memorable films.
Salakaar is full of heart, and emotionally satisfying, applauds Syed Firdaus Ashraf.
One Battle After Another touches on big ideas like racism, immigration, abuse of power, identity, and parenthood without turning preachy, observes Mayur Sanap.
Saba Ali Khan celebrated her 50th birthday with a special lunch hosted by her sister Soha Ali Khan, attended by Saif Ali Khan, Kareena Kapoor, Kunal Kemmu, and their children.
Mistry may work for some, but also raises the question about mental illness being treated as a means of amusement for audiences, notes Deepa Gahlot.
For all its preoccupation with blindness, the only people Aankhon Ki Gustaakhiyan deems blind is the audience to think they cannot see what poppycock unfolds, sighs Sukanya Verma.
Do You Wanna Partner is frothy and funny without being loud or crude, which is something so many Indian comedies cannot manage, observes Deepa Gahlot.
Akshay Kumar, Arshad Warsi and Saurabh Shukla are in top form in Jolly LLB 3, applauds Deepa Gahlot.
Karan Johar made a significant impact at the Meta Gala 2026 in New York, donning a stunning 30 kilo, Ravi Raja Varma-themed costume designed by Manish Malhotra.
Alia Bhatt captivated audiences at Cannes with two distinct and breathtaking fashion statements.
Fahad Faasil and Vadivelu more than deliver the goods, but the film, as a whole, fails to live up to their startling on-screen partnership, observes Arjun Menon.
While season 1 and 2 had the most sizzling chemistry between the lead pair, the Bridgerton series hasn't peaked since Kate and Anthony. With Benedict and Sophie, the spark and intensity feels further subdued, observes Divya Nair.
Rematch will be primarily enjoyed by chess lovers, but the series is sprinkled with a massive dose of drama and intrigue to keep everyone hooked through all six episodes, observes Norma Godinho.
The emotional quotient of They Call Him OG falls flat, the plotting looks jerky, and the runtime feels compromised, but hey, if you are a Pawan Kalyan fan, none of this matters, notes Arjun Menon.
Bollywood mothers multitask their children with their showbiz careers, and emerge even bigger stars! They celebrate Mother's Day with some adorable pictures.
Retro is probably Surya's worst film till date, notes A Ganesh Nadar.
Season 3 belongs to Jaideep Ahlawat who, despite the not so well-etched character, owns Rukma and gives the confrontation with Srikant Tiwari the missing edge of the earlier two seasons, observes Saisuresh Sivaswamy.
Metro...In Dino's assembly of actors exhaust all their charm at the end of this messy musing on metropolitan monotony, observes SUkanya Verma.
A romantic drama set against the scenic backdrop of Japan, exploring a unique love story born from a wish and a day of temporary amnesia.
From Madhuri Dixit's Dhak Dhak nostalgia to Triptii Dimri's emotional reflections, the Maa Behen trailer launch turned into a delightful event.
Sooraj Pancholi, nostrils flaring and eyes twitching, tries to sell his character's steely resolve, but, sighs Mayur Sanap, the boy just can't act.
Stolen's crisp running time and Abhishek Banerjee's metamorphosis from callous to crusader ensure the stark bits duly haunt and horrify, observes Sukanya Verma.
'Shah Rukh Sir gave us a lot of room to make the film we wanted to make.'
A fanciful air envelopes Aap Jaisa Koi's modest drama, of a story lost in its own bubble that's only burst by villains in the form of judgemental jerks and heroes in need of rescuing, observes Sukanya Verma..
Singer-actor Nick Jonas charms social media with a romantic Princess Diaries tribute to wife Priyanka Chopra.
War 2 offers you exactly what you'd expect from a mass entertainer: some escapist fun, some truly knockout action scenes, and overall a good time at the movies, observes Mayur Sanap.
The Little Mermaid is a very good movie, recommends 8-year-old Audrey Fernandes.
'Both Dhurandhar films in the spy universe have carved out legendary benchmarks for Indian cinema, and they'll be studied for generations across the globe.'
Everything in Good Bad Ugly seems copied, rues A Ganesh Nadar.
Saiyaara ends up a bland rehash of old ideas served in an older bottle, notes Arjun Menon.
As a superhero movie, The Fantastic Four: First Steps has a stale feeling that gets less and less interesting as it progresses before winding up as the usual superhero routine despite the best efforts of its talented cast, notes Mayur Sanap.
Amaran is effective as a intimate, well researched piece of storytelling but does not try to break any new ground, observes Arjun Menon.
